Ryder Cosple
The love of Canadians and New Zealanders for the generosity film of the eightieth, Turbo Kid, Like many, inspiration from the Mad Max, Star Wars, the Last Star Fighter and God for God's sake. The removable was convinced that the film was firmly on its feet and without a look at its predecessors, and it was even better to stay in the bicycle.
Turbo Kid
Scenario directors and authors: François Simar, Anuk Vissel, Joan-Carl Vissel
Manro Chambers, Laurence Leböf, Michael Ayronside, Aaron Jeffrey
2015
Among the dummies in 1997, he lives by collecting all the barrels for sale, a nameless kid, he has no parents and friends, but there's a bunker and some Turbo Rider chimneys calling for a volunteer.
The record, understandable case, is now steadfast: the pitiful residues of humanity are ready to kill each other in the last few drops of water that is squeezing out of all the unsuitable tyrann-megaloneyak Zeus, what an army. There's a different degree of cryptic around here because the postpocalypse.
One day, a kid meets at an infinite plain plain of rose-coloured Apple, gives her a baseball bat and a bicycle in sympathies, and a friend who's been abducted by bandits has to be removed from the gladiator of Zeus. An armrestler with a cut-off arm could be a good help in this mission, but how much better it would be to find a real combination of turbines with a blaster on his sleeve and to go rescue friends and humanity with a deadly crutch.
Like all the decent films from the '80s, Thurbo Kid embodies a fantasy that the young viewer might not have been aware of, but will not forget: it's not a bracelet of great power, a chaverbard or a navigator flight, but a room in the bomb shelter and turbostom.
We're not so good at Permotka to pretend we're surprised by one of these plots, but we're at the heart of their existence.
